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ALBERT'S QUIET QUEST

From the Mile End Kids series

This accessible story will validate readers who relish their quiet time as well as their friends.

Reading, friends, and fertile imagination combine in this neighborhood follow-up to Colette’s Lost Pet (2017).

Young Albert is looking through Mile End, an urban row-house neighborhood in Montreal, for a quiet place to read a book. In the alley, Albert finds a discarded painting of an ocean sunset and pulls up a chair in front of it for quiet reading and contemplation. The page turn gives way to a wordless double-page spread of Albert sitting in a chaise on the beach, and readers will understand that Albert has entered the ocean-sunset picture via imagination. Two friends arrive in the alley to repot a plant, and in Albert’s imaginative world they also enter the beach scene, building a sand castle. As other friends arrive, they, too, enter the beach scene, until it becomes crowded and noisy. Finally Albert yells in frustration, “That’s it! QUIET!!” This pale, blue-green–and-orange beach scene is now followed by an illustration showing Albert’s friends, wearing reproachful expressions, slinking away down the black-and-white alley. They return, though, with books of their own—and a surprise response to Albert’s abashed apology. Author/illustrator Arsenault does a terrific job directing the story’s pace and ambiance using wordless spot and double-page–spread illustrations interspersed with others containing dialogue bubbles and hand-lettered sound effects. Albert presents white, and his friends are diverse.

This accessible story will validate readers who relish their quiet time as well as their friends. (Picture book. 4-7)

Pub Date: June 4, 2019

ISBN: 978-0-553-53656-0

Page Count: 48

Publisher: Random House

Review Posted Online: March 11, 2019

Kirkus Reviews Issue: April 1, 2019

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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