Arsenault’s story has the feel of a campfire song, increasingly fun and outrageous until the joyful end and its promise of...
Colette’s family moves to Montreal’s Mile End, and her mother tells her, “For the last time, NO PET,” before shooing her outside to explore the neighborhood.
Colette angrily kicks a box over a fence, goes to retrieve it, and meets some boys who introduce themselves and ask her what she’s doing. After some hesitation, she timidly says that she’s lost her pet, a parakeet, and the boys set out to help her find it, enlisting more help as they go, until the search party consists of five little white boys and girls including Colette, a brown-skinned girl of unspecified ethnicity, an Asian girl, a black boy, and a little black cat. When asked how they might identify the bird, Colette spins a grandiose tale, saying that her parakeet, Marie-Antoinette, is so big that she flies her on adventures to Paris, Japan, the desert, the sea, and the jungle. Her mother calls her in, and Colette turns to go, but the kids are full of questions about her bird, and she promises to tell them more tomorrow. Do they believe her, or is it just great fun to pretend? Arsenault’s illustrations are done in black on white with bursts of bright yellow and occasional washes of pale blue, using pencil, watercolor, and ink in various textures to form a sweet style reminiscent of vintage illustrators Cynthia Amrine and Bill Sokol.
Arsenault’s story has the feel of a campfire song, increasingly fun and outrageous until the joyful end and its promise of new friendships. (Picture book. 3-7)Pub Date: May 23, 2017
ISBN: 978-0-553-53659-1
Page Count: 48
Publisher: Random House
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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