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MAYA'S BIG SCENE

From the Mile End Kids series

Simultaneously supports social-emotional growth and celebrates collaborative creativity.

Will a drama queen’s artistic ambition overshadow her ideals?

The play performed by the kids in Maya’s neighborhood is going to be perfect. Maya is absolutely certain of this because she’s directing every aspect to realize her grand vision of a drama celebrating freedom, equality, and respect. When the other kids won’t do exactly what the imperious Maya says, however, she at last realizes that a better world starts with her actions as well as her words. With each friend contributing equal amounts of creativity, confetti rains down on the triumphant, jubilant troupe. As with the first two Mile End Kids Stories—Colette’s Lost Pet (2017) and Albert’s Quiet Quest (2019)—graphic-novel and picture-book elements blend, with speech bubbles capturing the entirety of the dialogue-driven text. As the kids explore and define their shared goals of freedom, equality, and respect, Arsenault brings readers along on her social-emotional learning journey through expertly paced visual and textual storytelling. The whimsical illustrations employ a combination of charcoal lines and textured smudges accented in orange and fuchsia. These two vibrant colors confer importance and highlight emotion, adding a layer of complexity to the expressive characters. Maya is depicted with black hair and dark skin; of the six remaining children, four present White and two as kids of color. (This book was reviewed digitally with 9-by-14-inch double-page spreads viewed at 83.7% of actual size.)

Simultaneously supports social-emotional growth and celebrates collaborative creativity. (Picture book. 4-8)

Pub Date: Feb. 2, 2021

ISBN: 978-0-7352-6760-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: Dec. 14, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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