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THE CHRISTMAS HORSE AND THE THREE WISE MEN

An uneven effort that reflects a lack of understanding of the intended audience.

The journey of the three Magi on their travels to the birthplace of Jesus is recounted from the point of view of a horse.

The majestic, white horse named Safanad is owned by the wise man named Melchior, who is depicted as an elderly Asian man. The other wise men are Caspar, who rides a camel, and Balthazar, who rides an elephant. Both Caspar and Balthazar have brown skin. The three men and their animals follow a star of “dazzling brilliance” on a difficult journey before finally arriving at the stable with a baby in a manger. The wise men present their gifts of gold, frankincense, and myrrh, with Safanad the horse symbolically kneeling next to a lamb, a symbol of Jesus. Relevant verses from the King James Version of the Bible are set in gold type at the beginning and ending of the story, with Safanad’s narration creating a fictional version of the arduous travels. The horse as narrator doesn’t work well, as the text is too complex for an equine point of view. The illustrations are uneven; while smaller illustrations within patterned borders and detailed depictions of the three wise men are quite appealing, many of the larger illustrations appear crudely done. An author’s note explains more about the wise men and the historical sources.

An uneven effort that reflects a lack of understanding of the intended audience. (Picture book/religion. 5-8)

Pub Date: Oct. 7, 2016

ISBN: 978-1-937786-61-8

Page Count: 28

Publisher: Wisdom Tales

Review Posted Online: Aug. 16, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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HOW TO CATCH A REINDEER

These reindeer games are a bit tired but, given the series’ popularity, should have a large, ready-made audience.

The How to Catch A… crew try for Comet.

Having already failed to nab a Halloween witch, the Easter Bunny, a turkey, a leprechaun, the Tooth Fairy, and over a dozen other iconic trophies in previous episodes of this bestselling series, one would think the racially diverse gaggle of children in Elkerton’s moonlit, wintry scenes would be flagging…but no, here they lay out snares ranging from a loop of garland to an igloo baited with reindeer moss to an enticing candy cane maze, all in hopes of snagging one of Santa’s reindeer while he’s busy delivering presents. Infused with pop culture–based Christmas cheer (“Now I’ve already seen the shelf with the elf”), Comet prances past the traps until it’s time to gather up the kids, most of whom look terrified, for a group snapshot with the other reindeer and then climb back into harness: “This was a great stop but a few million to go / Christmas Eve must continue with style!” Though festive, the verse feels trite and unlikely to entice youngsters. A sprinkling of “True Facts About Reindeer” (“They live in the tundra, where they have friends like the arctic bunny”) wrap up this celebration of the predatory spirit. (This book was reviewed digitally.)

These reindeer games are a bit tired but, given the series’ popularity, should have a large, ready-made audience. (Picture book. 5-7)

Pub Date: Oct. 4, 2022

ISBN: 9781728276137

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Dec. 12, 2022

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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