A thought-provoking and evocative book that may unfortunately fail to pique the interest of its target audience but may also...
A young girl discovers her world as she grows up.
Little Nanda’s world begins in her mother’s arms when she is a small baby. As she grows, her world expands too. From friends and family to new places and new discoveries, Nanda pushes the limits of her world as much as possible—until one day, she realizes her world is the same as it was when she was a baby in her mother’s arms: “safe, warm, small.” Rich, imaginative text paints a beautiful picture of Nanda’s life and generously weaves in figurative language (“It soared through a symphony of glass and stone. / It spooled through spirals of wire and foam”). It is also refreshing to see Nanda depicted as a strong South Asian girl protagonist who blends in and yet stands out. Unfortunately, some of the text and the broader underlying concept of the book—which takes her through college and beyond to a career as an astronaut—may be hard to grasp for the target preschool audience. Corace’s illustrations, created using gouache, ink, and acrylic, effortlessly show Nanda’s curiosity and the diverse world we all live in today. Attention to detail and authenticity in the illustrations is evident on each page.
A thought-provoking and evocative book that may unfortunately fail to pique the interest of its target audience but may also provide a fresh substitute for Oh, the Places You’ll Go come graduation season. (author’s note) (Picture book. 4-8)Pub Date: July 2, 2019
ISBN: 978-1-4197-3407-6
Page Count: 32
Publisher: Abrams
Review Posted Online: April 9, 2019
Kirkus Reviews Issue: May 1, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Haphazard but jolly enough for one outing; it probably won’t last for more.
A flurry of mail addressed to Duncan’s crayons ushers in the Christmas season in this novelty spinoff of the bestselling The Day the Crayons Quit (2013) and The Day the Crayons Came Home (2015).
Actual cards and letters are tucked into envelopelike pouches pasted to the pages; these are joined in some cases by other ephemera for a package that is likely to invite sudden, intense play followed by loss and/or damage that will render the book a disappointment to reread. That’s probably OK, as in contrast to the clever story that kicked this small series off, this outing has a hastily composed feel that lacks cohesion. The first letter is addressed to Peach from Mom and includes a paper doll of the “naked” (de-wrappered) crayon along with a selection of tabbed changes of clothing that includes a top hat and tails and a bikini top and bottom. Peach’s implied gender fluidity does not mitigate the unfortunate association of peach with skin color established in the first book. The sense of narrative improvisation is cemented with an early page turn that takes the crayons from outdoors snow play to “Feeling…suddenly very Christmas-y, the crayons headed inside.” Readers can unpack a box of punch-out decorations; a recipe for gluten-free Christmas cookies that begins “go to store and buy gluten-free cookies”; a punch-out dreidel (turns out Grey is Jewish); a board game (“six-sided die” not included); and a map of Esteban (aka Pea Green) and Neon Red’s travels with Santa.
Haphazard but jolly enough for one outing; it probably won’t last for more. (Novelty. 4-8)Pub Date: Oct. 15, 2019
ISBN: 978-0-525-51574-6
Page Count: 52
Publisher: Penguin Workshop
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
SEEN & HEARD
SEEN & HEARD
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