Kadare (The Palace of Dreams, 1993, etc.), an Albanian resident of Paris, offers a chilling portrait of life under Communist rule as he describes crumbling relations between Albania and China in the mid-1970s and the resulting trauma to individual Albanian lives. The flocks of delegates shuttling between China and Albania in the late 20th century have ebbed and flowed according to their leaders' obscure and fleeting whims. It is Albania's disapproval of China's overtures toward the US that sends Gjergi Dibra, a well- placed Albanian bureaucrat, to China with a letter of protest for Chairman Mao. Mao, fed up with Albania's arrogance in offering advice, elects to punish China's tiny ally by cutting off construction of its factories, slowing deliveries of vital supplies, and otherwise tormenting its traditionally powerless and uneasy populace. Mao's actions are initially subtle and only vaguely perceived in Albania, but soon enough they begin to affect profoundly the lives of Dibra, his family, and friends. Dibra's brother-in-law, an officer in a tank regiment, is arrested for refusing a China-influenced order to challenge a Communist Party committee. A friend's son is killed in an explosion in a factory the Chinese have neglected to maintain. An Albanian novelist friend of Dibra's wife is horrified to find his creativity dissipating when he travels to China, where even the most casual conversation is circumscribed by revolutionary slogans and Maoist clichÇs. Irony and outrage, tragedy and absurdity intermingle freely as Albanians struggle to read their fate in every half-gesture made by the distant Chinese. The original Albanian manuscript was translated first into French and then into English, which may explain the awkward spots in this translation. But this tale of a break between timid Albania and sterile, dominant China offers a compelling view of both nations, nonetheless.
Pub Date: Sept. 23, 1994
ISBN: 0-688-09762-6
Page Count: 480
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1994
IN THE NEWS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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