A raw, startling portrait of migration.
Bear witness to a long, arduous journey across forests and seas for those searching for renewed hope.
The travelers—a group of anthropomorphic animals carrying just the clothes on their backs and what little else possible—stand out against the black background. There’s the unyielding deep green of the ground and the stark trees that line the path ahead. But wait, here comes Death with lively flowers pressed upon its black robe and a giant blue ibis at its side. Together the travelers set off, sharing food and company and camping when fatigue sets in. Once at the coast, everyone climbs aboard the boat, a modest wooden scrap against the turbulent sea. The sea proves itself cruel, obliterating the travelers’ vessel, and those that can swim to shore do so. Not everyone makes it. More fall behind the further the journey goes on, and all along, Death lingers nearby, accompanied by its ibis. It’s a lengthy march disrupted with loss and grief until the migrants finally arrive at a landscape of blossoming shrubbery. Originally released in Mexico and imported via New Zealand, Peruvian creator Watanabe’s depiction of migration and its often harrowing trials shares no words but plenty of images that ask readers to consider. It’s a rare feat: a wordless picture book in which the absence of text intensifies the stories it tells. With its stark dearth of color, seen only where necessary, and evocative imagery, the artist’s pictures make the migrant’s journey—distinct yet everyday—feel palpable. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 96.4% of actual size.)
A raw, startling portrait of migration. (Picture book. 5-9)Pub Date: Oct. 6, 2020
ISBN: 978-1-77657-313-4
Page Count: 40
Publisher: Gecko Press
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
PERSPECTIVES
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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