by Issac J. Bailey ‧ RELEASE DATE: Oct. 6, 2020
Brilliant, searing, and surprisingly vulnerable.
A Black journalist gives Trump supporters a powerful lesson in history and truth.
“Trumpland,” writes Bailey, “includes places throughout the United States where white people overwhelmingly support Trump in spite of—or maybe because of—his open bigotry and racism. They are places where black people have for decades been forced to swallow racist bullshit in order to respect the wishes and wants and feelings of racists, as well as those who excuse and apologize for the racists.” Black denizens of Trumpland have felt compelled to forgive and respect those who believe that the “illusion of civility” is more important than racial equality. The narrative is an incisive “corrective to banal commentary” on race in America from those who “scold people of color for…complaining about Trump too much.” Through a combination of poignant memoir and social and cultural analysis, Bailey tackles of range of hot topics as well as his own prior complacency. A masterful storyteller, the author introduces us to a White police officer who regrets not shooting a Black man in the head during what began as a routine traffic stop. Due to his decision not to shoot, he was derided by his fellow officers and lost a promotion. “The comfort level of cops,” Bailey observes, “is more important than black life.” From Dylan Roof’s slaughter of nine Black parishioners in a Charleston church to the horror of racial bias in the criminal justice system, Bailey pulls no punches, and he debunks the myth that White working-class “economic angst”—rather than racism and White supremacy—propelled Trump into office. Furthermore, White Evangelical Christians’ continued support of Trump is fueled by their “political and moral hypocrisy” and disregard for the well-beings of Black and brown communities. By no fault of Bailey’s, die-hard Trumplandians aren’t likely to be swayed; conscientious Americans will come away from this book further enraged by the pernicious, persistent pattern of racial injustice in this country.
Brilliant, searing, and surprisingly vulnerable.Pub Date: Oct. 6, 2020
ISBN: 978-1-63542-028-9
Page Count: 176
Publisher: Other Press
Review Posted Online: July 12, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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PERSPECTIVES
PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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