An enjoyable change-up from The Bartender’s Tale (2012) and welcome evidence that Doig, in his 70s, is more prolific and...
Morrie Morgan returns (Work Song, 2010, etc.) to again confront the evil Anaconda Copper Mining Company, as well as several unwelcome reminders of his checkered past.
Just back in Butte after a yearlong honeymoon with Grace, who’s temporarily given up her boardinghouse but not her suspicions that her irrepressible spouse isn’t much of a provider, Morrie needs to find a job fast. Not only has he nearly run through his winnings from a savvy bet on the fixed 1919 World Series, but he has an expensive mansion to maintain; wealthy cattleman-turned-librarian Sam Sandison hands over his home in an upper-crust neighborhood sardonically known as Horse Thief Row with the proviso that Morrie has to pay for its upkeep. So Morrie goes to work as the editorial writer for a new newspaper funded by the miners’ union to counter Anaconda’s propaganda for unfettered capitalism. Many, many complications ensue—this is Doig’s most elaborately (and occasionally improbably) plotted novel—but they are less interesting than the marvelously atmospheric portrait of the bygone newspaper trade and an engaging cast of characters sketched with the author’s customary vigor. Among the familiar figures are careworn union leader Jared Evans, devising strategy from his new post as state senator; and the semireformed street kid known as Russian Famine who leads Morrie to a gut-clenching climax high atop the mineshafts’ towering headframes. Unscrupulous but gifted columnist Cedric “Cutthroat” Cartwright, recruited from Chicago by Anaconda to bandy editorials with Morrie, makes a colorful addition who gets a highly satisfying comeuppance. It’s mostly a lighthearted romp, right down to the striking likeness to Montana’s “number one bootlegger” that enables Morrie finally to make sure the Chicago mob won’t dare come after him. Yet Doig also quietly conveys the injustices and cruelties of American history, particularly in the realistically depressing and temporary resolution of the union’s struggle with Anaconda.
An enjoyable change-up from The Bartender’s Tale (2012) and welcome evidence that Doig, in his 70s, is more prolific and entertaining than ever.Pub Date: Aug. 20, 2013
ISBN: 978-1-59448-734-7
Page Count: 320
Publisher: Riverhead
Review Posted Online: July 1, 2013
Kirkus Reviews Issue: July 15, 2013
PROFILES
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
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