More atmospheric, pleasingly old-fashioned storytelling from Doig (The Eleventh Man, 2008, etc.), whose ear for the way...
Returning to Montana in 1919, ten years after he pinch-hit as a rural schoolteacher in The Whistling Season (2006), Morris Morgan finds the city of Butte roiled by labor unrest.
The Anaconda Copper Mining Company has just imposed a 22 percent pay cut that has union leader Jared Evans reluctantly planning a strike if the company won’t negotiate in good faith. Morrie is sympathetic, particularly since Jared is engaged to one of his former students, but he’s more interested in finding a job and getting better acquainted with Grace Faraday, the feisty widowed proprietress of his boardinghouse. After an unsatisfactory stint at a funeral home—the boozy wakes are too hard on his head—Morrie’s scholarly savoir faire gets him hired by Samuel Sandison, an eccentric former rancher who runs the Butte public library (mostly because the trustees covet his magnificent book collection). Unfortunately, Morrie gets noticed by two of Anaconda’s goons, who think that a guy arriving in Butte with a sketchy back story and without a trunk must be one of those radical outside agitators the company likes to string up from time to time. Since Morrie is still on the lam from Chicago gangsters who took a dim view of his winning money from them by betting on a fixed fight, he’s not eager to have anyone poking around in his past. So it’s maybe not the smartest move to agree to let the union hold clandestine meetings at the library, especially since Sandison has warned him against taking sides, but Morrie can’t help getting involved when his sympathies are roused. His debonair, mildly sardonic voice makes Morrie an engaging narrator/protagonist, though the novel’s most riveting character is Sandison, who atones for past misdeeds with an appropriately bookish contribution to the union’s struggle.
More atmospheric, pleasingly old-fashioned storytelling from Doig (The Eleventh Man, 2008, etc.), whose ear for the way people spoke and thought in times gone by is as faultless as ever.Pub Date: July 1, 2010
ISBN: 978-1-59448-762-0
Page Count: 288
Publisher: Riverhead
Review Posted Online: May 1, 2011
Kirkus Reviews Issue: April 15, 2010
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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