The historical context will be unfamiliar to most readers, but the issues, of good and evil, identity and fate, are...
A historical novel set in 1850 depicts a year in Bosnia under the rule of a despotic general and his occupying army, along with his obsequious and devious court.
The politically active Andric (The Days of the Consuls, 1992, etc.) won the Nobel Prize for Literature in 1961, the only laureate from what was then Yugoslavia. This historical novel was his final book before he died in 1975, and this is its first English translation. The grim narrative leaves little room for light and none for humor, as it describes Bosnia during this volatile year as “on the surface, rebellion, violence and fear, and beneath it age-old poverty, the meager existence of the small man and the quiet, unstoppable decay of institutions and families, of everything that had been or was held to be reputable, powerful and rich.” Into this breach, the occupying forces brought a moral cesspool and insidious gossip, while Omer Pasha Latas ruled from an inscrutable, imperious remove, as if he were above it all. For he has his own secrets and identity issues, as a Serbian Christian refugee from Bosnia (born Mihailo Latas) who had converted to Islam and established himself as a ruthless leader within the Ottoman Empire under the sultan in Istanbul. His identity, beliefs, and allegiances all have a certain malleability, as he returns to Bosnia not in the spirit of homecoming but as an outside enforcer, determined to quell any rebellion in the land where he once lived. Amid the portrayals of various members of the court, the novel’s centerpiece finds the protagonist sitting for a commissioned portrait and shows how his relationship with the painter changes both of them. The plot pivots on a senseless crime of passion, a surprising yet fitting denouement within a court marked by what one character calls “killing and lechery! Because everything in this house is infected with foul, profane lechery...and lechery kills, it must kill, for it’s the same as death, unnatural, shameful death.”
The historical context will be unfamiliar to most readers, but the issues, of good and evil, identity and fate, are universal.Pub Date: Sept. 18, 2018
ISBN: 978-1-68137-252-5
Page Count: 288
Publisher: New York Review Books
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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