Above average in this burgeoning subgenre; it’s the healing powers of friendship, love and family that make this...
Desperate to reconnect with the outside world, teen bone marrow recipient Zac’s very precise mind is distracted by the arrival of new cancer patient Mia in the 4-by-5-meter room next to his.
A single rock track plays on repeat next door (“The newbie’s gone Gaga. The girl’s got cancer and bad taste?”) until Zac pounds on the wall, and a tense bond begins to form. Zac, now “99.9 percent someone else,” is a model patient with extended family support back home on an Australian farm. He tracks cancer deaths with grim dedication: “I don’t want them to die, but they make my odds look better. I have to believe in the math.” Mia—not a Gaga fan after all, it’s just parent repellent—tells her high school friends she’s just on vacation, rejects her mother and lets anger threaten her treatment. Surrounded by the uncertainty of illness, Zac works from “logic and math,” while Mia’s decisions are “whipped up by emotion and impulse and I want, I want.” Taking its cue from the title, the first-person account starts with Zac’s voice, alternates between Zac and Mia in the middle, then seamlessly switches to Mia for the finale, with snappy dialogue throughout. A brief epilogue provides satisfying and realistic closure.
Above average in this burgeoning subgenre; it’s the healing powers of friendship, love and family that make this funny-yet-philosophical tale of brutal teen illness stand out. (Fiction. 14 & up)Pub Date: Sept. 2, 2014
ISBN: 978-0-544-33164-8
Page Count: 304
Publisher: HMH Books
Review Posted Online: June 30, 2014
Kirkus Reviews Issue: Aug. 1, 2014
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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