An enticing read, sure to please lovers of historical fiction and political and religious intrigue.
In this debut fictionalized account of Francia in the 740s, the death of a Dark Age ruler pits religions, and brothers, against each other.
The novel opens in the last year of the life of mayor of the palace Charles Martel, who, although not technically a king, has ruled the Frankish empire for decades. His military prowess has allowed him to take over a good portion of western Europe (including what is now Germany and France), but now he’s dying. He breaks his kingdom into three parts, making each of his three sons a mayor of one. One portion goes to his eldest son, Carloman, a Christian zealot; another goes to his middle child, the great warrior Pippin. The final third, which includes the prized city of Paris, goes to his youngest son, Gripho, the half brother of Pippin and Carloman and the product of Charles’s marriage to the pagan Sunni. Martel also has a strong-willed daughter, Trudi, who defiantly opposes her arranged marriage to a Lombardy prince and subsequently falls in love with a Bavarian—and pagan—lord. Although Gripho does his best to act like a good Christian, Carloman suspects that Gripho follows the pagan religion. What follows is political intrigue straight out of George R.R. Martin’s A Song of Ice and Fire series, except that Gleason’s novel is based on stories of real people, and this historical “game of thrones” is engrossing, with fast-paced, crisp prose and smart dialogue. The tale’s real antagonists are religion and the conflicts it breeds; however, at times, the author’s disdain for Christianity comes close to undermining the story’s credulity, as Christian leaders too often come off as cartoonish villains. For example, at one point, the elder bishop, who has Machiavellian designs for power, nonchalantly has sex with a 20-year-old male “acolyte” as he speaks to another member of the church. Gripho desecrates a Christian church and Carloman turns from a principled if overly religious man into a kind of evil Christian crusader. That said, the story is strong enough for readers to overlook these flaws, which, fortunately, are few indeed.
An enticing read, sure to please lovers of historical fiction and political and religious intrigue.Pub Date: July 26, 2013
ISBN: 978-1475990201
Page Count: 440
Publisher: Xlibris
Review Posted Online: Oct. 31, 2013
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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