An enjoyable coming-of-age SF action tale that builds to a satisfying conclusion.
In response to a mysterious but welcoming message, a spaceship full of human colonists leaves a rapidly destabilizing Earth for a decadeslong trek in this SF novel.
As Earth reels under the combined effects of overpopulation and climate catastrophe, astrophysicist Jackson Hughes and his biologist wife, Adriana, finagle their way onto the exploratory spacecraft Vasco Da Gama with their 5-year-old son, Milo. The ship is part of Earth’s desperate response to a message from the far reaches of space, roughly translated as “Hello, humanity. We are the Foundry, come see us soon.” Along with 450 other passengers, Milo calls the Vasco Da Gama home for the next 20 years. He negotiates all the usual childhood, tween, and teen milestones as well as the complications of space travel. From Earth, messages of devastation increase, the most personal of which is the loss of Milo’s maternal grandmother when a flood destroys her town. Milo is barely out of his rebellious teens when the ship finally nears its destination, “a torus of gold and silver...its hull studded with geodesic domes of ivory and obsidian.” But as the Vasco Da Gama attempts to slow down for the approach, Jackson makes a startling discovery. The Foundry has taken control of the vessel and is pulling it in. The humans aboard soon realize that they are no longer in control of their fates and that, as one of the aliens they meet tells Milo, “Survival outside one’s home world takes cunning and cruelty. You will be forced to do things, to give things up in order to survive.” Mauldin’s SF bildungsroman is written with an intimacy and humor that will draw readers in to Milo’s familiar yet highly unusual rites of passage. The high-tech elements are nicely futuristic without being incomprehensible, and the story evolves fairly convincingly from teen memoir to alien adventure. There are a few derivative moments, such as a stereotypical “cat fight” between two girls who like the teenage Milo and an alien who speaks with Yoda-like syntax: “Argue this I will.” But overall, the many alien species are creatively imagined and the high-tech swashbuckling is suspenseful fun.
An enjoyable coming-of-age SF action tale that builds to a satisfying conclusion.Pub Date: Sept. 19, 2022
ISBN: 979-8830336741
Page Count: 428
Publisher: Self
Review Posted Online: Oct. 20, 2022
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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