A fizzy and fast-paced conclusion to a complicated family saga.
Gibbens concludes her multigenerational family drama series with this eventful thriller.
As this concluding volume in the author’s Awen Chronicles series opens, Nathan Bellamy, the art thief who served as the villain in the previous installment (Cow on Ice, 2022), sits in prison brooding over his revenge. Providentially, it seems to come in the form of his cellmate, a low-level crime syndicate enforcer named Tommaso, who agrees to use his contacts on the outside to effect the murders of the five people who brought Bellamy to justice, including Toronto architect Kent Gillespie; Bellamy’s former partner, Chloé Corbin; and Bellamy’s erstwhile girlfriend, art gallery owner Yoichi Song (“I’m tougher than I look,” Yoichi assures a friend. “Don’t let the manicures, facials, and wardrobe mislead you”). The text catches series readers up on all the jet setting and romantic goings-on of Gibbens’ large cast of characters, ranging from Bellamy’s list of murder targets to their current and former paramours, children, co-workers, and friends. The tangles of the plot involving powerful, plotting lawyer Langston Garner and surprisingly adventurous architect Kent Gillespie branch elegantly throughout the narrative. The author throws herself into narrating this sprawling, complicated story with tremendous gusto and a sharp skill at drawing characters: “Spencer liked desperation,” readers learn of Garner’s private investigator; “it fed his business enterprise. His clients were pushed beyond their limits by situations that had suddenly gotten out of hand—leading to desperation for them and opportunity for him.” This kind of quippy phrasing runs throughout the novel, although neither this nor the fleet pacing can save the proceedings from third-book syndrome: Too much of the plot will be all but incomprehensible to readers who aren’t familiar with at least the previous volume in the series. Newcomers shouldn’t start here.
A fizzy and fast-paced conclusion to a complicated family saga.Pub Date: Aug. 4, 2023
ISBN: 9781039172432
Page Count: 366
Publisher: N/A
Review Posted Online: May 11, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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