EPITAPH

Gibbens concludes her multigenerational family drama series with this eventful thriller.

As this concluding volume in the author’s Awen Chronicles series opens, Nathan Bellamy, the art thief who served as the villain in the previous installment (Cow on Ice, 2022), sits in prison brooding over his revenge. Providentially, it seems to come in the form of his cellmate, a low-level crime syndicate enforcer named Tommaso, who agrees to use his contacts on the outside to effect the murders of the five people who brought Bellamy to justice, including Toronto architect Kent Gillespie; Bellamy’s former partner, Chloé Corbin; and Bellamy’s erstwhile girlfriend, art gallery owner Yoichi Song (“I’m tougher than I look,” Yoichi assures a friend. “Don’t let the manicures, facials, and wardrobe mislead you”). The text catches series readers up on all the jet setting and romantic goings-on of Gibbens’ large cast of characters, ranging from Bellamy’s list of murder targets to their current and former paramours, children, co-workers, and friends. The tangles of the plot involving powerful, plotting lawyer Langston Garner and surprisingly adventurous architect Kent Gillespie branch elegantly throughout the narrative. The author throws herself into narrating this sprawling, complicated story with tremendous gusto and a sharp skill at drawing characters: “Spencer liked desperation,” readers learn of Garner’s private investigator; “it fed his business enterprise. His clients were pushed beyond their limits by situations that had suddenly gotten out of hand—leading to desperation for them and opportunity for him.” This kind of quippy phrasing runs throughout the novel, although neither this nor the fleet pacing can save the proceedings from third-book syndrome: Too much of the plot will be all but incomprehensible to readers who aren’t familiar with at least the previous volume in the series. Newcomers shouldn’t start here.

A fizzy and fast-paced conclusion to a complicated family saga.