Multi-colored, multi-layered, multi-media illustrations trace the life of Tyree Guyton and his visionary artwork, which used reclaimed trash to turn a derelict Detroit street into community-activist art.
Tyree’s magic—his ability to find whimsy, brightness and joy in junk—make him both an endearing and an unusual person to young readers fixated on shiny products hermetically sealed in plastic. Buttons, Popsicle sticks, crayons, broken wheels and bottle caps bounce around pages, conjuring Tyree’s excitement as he makes his own funky toys as a child and, later, trash artwork as an adult. Warm, comedic renderings of neighbors and family (particularly Grandpa Sam), offset somewhat jarring multi-media elements: creepy, dirty stuffed animals, slapdash patches of newsprint, random-feeling rounds of fabric. But when Tyree’s childhood street becomes his art, these compositional choices make more sense. On Heidelberg Street, neon vacuum cleaners line lawns, houses pulsate with polka-dots and doll-babies hang from telephone wires, bringing a similar discomfort and disorientation—and making shady characters flee. When a judge stops bulldozers from destroying Heidelberg Street, declaring it a work of art, a victory dance seems in order. Readers whiz through Tyree’s story, propelled by his energy and zinging, trippy triplets that cap each significant event in his life. "Let rockets fly! / Boards tower high. / Bounce, jump and dance, magic trash!"
An inspiring, exciting introduction to avant-garde art and social commentary, this biography convinces young readers that art can exist, thrive and effect change outside in the real world. (author’s note, bibliography) (Picture book. 5-10)
Pub Date: Oct. 1, 2011
ISBN: 978-1-58089-385-5
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Aug. 30, 2011
Kirkus Reviews Issue: Sept. 15, 2011
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
A beautifully designed book that will resonate with children and the adults who wisely share it with them.
An inspirational ode to the life of the great South African leader by an award-winning author and illustrator.
Mandela’s has been a monumental life, a fact made clear on the front cover, which features an imposing, full-page portrait. The title is on the rear cover. His family gave him the Xhosa name Rolihlahla, but his schoolteacher called him Nelson. Later, he was sent to study with village elders who told him stories about his beautiful and fertile land, which was conquered by European settlers with more powerful weapons. Then came apartheid, and his protests, rallies and legal work for the cause of racial equality led to nearly 30 years of imprisonment followed at last by freedom for Mandela and for all South Africans. “The ancestors, / The people, / The world, / Celebrated.” Nelson’s writing is spare, poetic, and grounded in empathy and admiration. His oil paintings on birch plywood are muscular and powerful. Dramatic moments are captured in shifting perspectives; a whites-only beach is seen through a wide-angle lens, while faces behind bars and faces beaming in final victory are masterfully portrayed in close-up.
A beautifully designed book that will resonate with children and the adults who wisely share it with them. (author’s note, bibliography) (Picture book/biography. 5-8)Pub Date: Jan. 2, 2013
ISBN: 978-0-06-178374-6
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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