A wild, well-written novel that fuels suspicions about what might be going on in our oh-so-unbalanced world.
An uninhibited thriller with a dash of social commentary where the devil is in the details.
Fiona Dunn is a pisser of a character—a go-for-the-throat marketer whose suspicions about her live-in, Justin, get her into a spot of trouble. She trails Justin and sees him enter a taxi with another woman while supposedly traveling out of town on business. The answer of course is to go to a bar to drink away her sorrows, where she is plied with drinks by a dark, charming stranger. Scratch, the pickup, is also an intriguingly crafted character—a dark force with a wry sense of humor, he's a rather likable guy until he tells Fiona exactly who he is. He is, it turns out, the devil, Satan, real name unpronounceable, and he strikes a deal for Fiona’s soul that gives her the power of invisibility at will, so she can spy on her wayward partner. This has to be the archetype of a bar tryst gone bad. Scratch controls a cadre of dead souls in Oakland who meet in a converted church to discuss their woes and plot their escape, under the direction of Alejandro, a photographer who charms Fiona after seeing her dark pallor—the sign of the damned. Scratch has sealed the deal with all these wayward souls by giving them a business card stating their date of soul-selling and a blank space titled “Favor.” When the time comes, the blank fills mysteriously with a deed and instructions, and the novel turns gruesome in the acts. The implication is that the mass murders, the unconscionable acts of terror of our contemporary times (and all time) are the result of selfish deals with the devil—these acts are Favors, the payment due the devil. Fiona commits her obligated soul to turning the tables on Scratch and righting many wrongs. The countdown to Fiona’s Favor is a thriller of a chase with a wicked but not-so-elevating ending.
A wild, well-written novel that fuels suspicions about what might be going on in our oh-so-unbalanced world.Pub Date: Sept. 20, 2016
ISBN: 978-1-5011-1093-1
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: June 29, 2016
Kirkus Reviews Issue: July 15, 2016
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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