Troost is now washed up in landlocked Sacramento, but this “unapologetic escapist” should soon be on the move.
Troost returns to the South Pacific, where he had spent a couple years on Kiribati (The Sex Lives of Cannibals, 2004), when the sensory overload of life in Washington, D.C., gave way to a gilded weariness.
His life as a well-paid drone for the World Bank got to Troost. He yearned for his days on Kiribati, at their wonder and mystery, of water so blue it made him gasp. Forget the human feces on the beach, ringworm and dengue fever, the unrelieved diet of rice and rotten fish and the dreadful time the beer delivery went to the wrong island. Living on a South Pacific island could be grim, horrifying and revolting, Troost writes, but never less than interesting. So off he goes with his wife to Vanuatu, where the earth is alive and well and reminds you of it everyday, whether through volcanic eruptions or earthquakes. Troost works hard to find all that is fine and weird on the former British-French land mass. There will be coconut shells filled with kava—the local recreational intoxicant wrung from a masticated spitball of pepper bush root; discussion of the impulse behind cannibalism (“while I may not have completely understood what holy communion was all about, Catholicism did allow me to see the nuances in cannibalism”); and considerations of the spectacular governmental corruption of the island. Troost, who also briefly nests in Fiji, is a travel writer who delivers the gratifying, old-school goods: curious cultural practices; encounters with venomous, nay murderous, creatures; perspective on recent history, with all the chaos wrought by European interlopers.
Troost is now washed up in landlocked Sacramento, but this “unapologetic escapist” should soon be on the move.Pub Date: June 13, 2006
ISBN: 0-7679-2199-2
Page Count: 288
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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