by J. Scott Turner ‧ RELEASE DATE: Sept. 12, 2017
An unsettling but highly thought-provoking book.
An exploration of how “there is something presently wrong with how…scientists think about life, its existence, its origins, and its evolution.”
The discipline of biology is in crisis, writes Turner (Biology/SUNY Coll. of Environmental Science and Forestry; The Tinkerer’s Accomplice: How Design Emerges from Life Itself, 2009, etc.) in this ingenious mixture of science and philosophy that points out major defects in Darwinism and then delivers heterodox but provocative solutions. That biology is in crisis may be news to readers, but the author points out that no Darwinian explanation exists for the origin of life or the origin of the cornerstone of modern biology, the gene. Darwinism also has a “hard time explaining what an organism is, or why…living things are actually (not apparently) well-designed.” Aware that alarm bells will sound, Turner denies proposing intelligent design but adds that the obstacle is philosophical: biologists must accept that Darwinian evolution is a “phenomenon rife with purpose, intentionality, and striving.” This is vitalism—not the mystical 19th-century life force but the obvious ability of living organisms to maintain internal consistency in the face of environmental perturbation. Mostly, the book is a virtuosic, if revisionist, history of evolutionary thought that rehabilitates traditionally scorned figures (Jean-Baptiste Lamarck, Georges Cuvier), reinterprets celebrated 19th-century French physiologist Claude Bernard’s ideas on homeostasis, and delivers admiring portraits of the geniuses of modern evolutionary ideas (Lewis Henry Morgan, Ronald Fisher, Sewall Wright, J.B.S. Haldane) without backing down from Turner’s insistence that they missed something. Creationists happily trumpet any criticism of Darwinism as proof that it’s false, but Turner is only proposing that the strictly materialist approach to studying life could use some help. That organisms strive is not magic but an emergent property.
An unsettling but highly thought-provoking book.Pub Date: Sept. 12, 2017
ISBN: 978-0-06-265156-3
Page Count: 336
Publisher: HarperOne
Review Posted Online: July 2, 2017
Kirkus Reviews Issue: July 15, 2017
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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