A novel that offers a spirited but unevenly executed take on bouncing back.
After her marriage falls apart, a mother of two must figure out how to get her life back on track in Wright’s novel.
Before she met bank CEO Jack Davis in 2013, Emma Davis was an up-and-coming software developer who built and sold her own successful company. During their 10-year marriage, he used nearly all the money she’d earned on failed investment opportunities. After Emma learns that Jack is having an affair with a restaurant server he met during one of their family dinners, he leaves her. Now that he’s gone, she has no income, no emotional support, and no idea what to do next. She takes a low-level tech job and loses whatever standing she had in the community. “What I desperately wanted was to stop loathing myself so much,” she narrates. “Rotten mother. Horrible at relationships. Pathetic career. Fat. Alone. And just plain scared.” Then creative writing professor Evy Hanover moves into Emma’s small suburban hamlet of Belmont, New York, and the pair strike up an instant and intense friendship. Evy seems to be just what Emma needs in her life; she convinces Emma to hire a divorce attorney, to stand up to Jack, to use some dating apps, and to live healthier. However, the future isn’t quite as bright as Evy makes it seem, and once Emma learns about the secret that Evy’s keeping, she questions whether their friendship will be enough to see them through. Emma’s first-person perspective effectively gives Wright’s novel a lighthearted and conversational tone, and it’s filled with humorous dating mishaps, clever gripes about dieting, and several slapstick moments. It initially presents as a fun, quick read; however, it later delves into some darker territory, including topics such as eating disorders, mental illness, and profoundly abusive relationships—each of which are described with greater nonchalance than readers may feel they deserve. The story is also weighed down by excessive detail that does little to move the plot forward, and some characters are rendered in such exaggerated fashion that they lack nuance.
A novel that offers a spirited but unevenly executed take on bouncing back.Pub Date: May 25, 2025
ISBN: 9798991539302
Page Count: 347
Publisher: Saint Johns Creek Publishing
Review Posted Online: May 16, 2025
Review Program: Kirkus Indie
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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