THE FRENCHMAN

Beaumont reveals a world of international espionage that’s at once exhilarating, morally repugnant, and deadly.

A lengthy prologue introduces earnest Pakistani missile engineer Amin Sharwaz, who’s making daily reports to his supervisor, an imperious figure called the Colonel, from a convention in Singapore. Secretly anxious to finish his project and move his family to Europe, Amin makes the fatal mistake of oversharing with someone he knows as Marcus Aubrac, who works for the French government and has offered to create a new life for him in France if he can share classified information on Pakistani missile development. This Frenchman is actually intelligence operative Alec de Payns. When Alec learns that Amin was tortured and murdered—along with his family—on his return to Pakistan, he’s shaken but by necessity compartmentalizes his disquiet. Two years later, a botched assignment in Palermo once more brings the life-and-death realities of his dangerous career into clear focus and leads to a meeting with his boss, Christophe Sturt, at which he lies to protect himself. In the missions that follow, Alec and his team pose as filmmakers and hunt a ruthless terrorist. Beaumont, a former operative with the French foreign secret service, has produced a debut novel long on the procedural nuts and bolts of espionage: There are acronyms, agents with multiple pseudonyms (one wryly known as Shrek), complex professional relationships, and a plot that crisscrosses Europe and Asia with dizzying twists and turns. His savvy focus adds timeliness and a stimulating sense of verisimilitude, rewarding readers who can follow his intricate plot. Simmering beneath it all is Alec’s growing desire to leave his dangerous work and lead a normal life with his wife, Romy, and their children.

An action-packed spy thriller with an authentic feel.