A ferocious portrait of the Civil War’s human toll. Dann (The Memory Cathedral, 1995, etc.) isn’t much concerned here with causes or outcomes. His gruesome chronicle of the suffering of 14-year-old Edmund McDowell, caught up in the efforts of —Stonewall— Jackson to defeat a Federal Army in 1862, is clearly intended to remind us that the Civil War was as brutal as any other war. Mundy disobeys his minister father and goes in search of a skirmish, hoping to watch his hero Stonewall chase the Yankees out of his valley. Instead he stumbles into the midst of a rout, finds the body of a longtime acquaintance who had been searching for him, and arrives home in time to see Union deserters shoot his father and rape and murder his mother. Sick and disoriented, Mundy wanders in and out of the battle lines. Made a prisoner, he’s compelled for a time to work in a Union field hospital, witnessing almost unimaginable horrors. Escaping, he falls in briefly with a band of renegade slaves, and after leaving them becomes the companion of a deranged Confederate cavalryman. Despite Mundy’s efforts to escape both his memories and the ever-widening war zone, he inevitably finds himself back in the middle of the slaughter. There is no doubt that Dann captures, in a way few other novelists have, the sheer bloody chaos of battle in the Civil War. Scenes of carnage and madness—with Mundy ravaged by fever, prone to hallucinations, or convulsed by grief—linger in the mind. But the conceit of writing the book as Mundy’s memoirs doesn’t work; it isn’t likely that any 19th-century teenager would have said all the things Mundy does here. And the narrative is finally too long, too repetitive, as if the author didn—t trust the reader to grasp how awful war is. Still, Dann’s anger, and his portrait of combat’s sheer horrors, make for a vivid—and disturbing—read.
Pub Date: July 13, 1998
ISBN: 0-553-09716-4
Page Count: 301
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1998
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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