by Jack El-Hai ‧ RELEASE DATE: Sept. 10, 2013
Recently slated for both film and stage adaptations, El-Hai’s gripping account turns a chilling page in American history and...
Ace reportage on the unique relationship between a prison physician and one of the Third Reich’s highest ranking officials.
Profoundly expanded from an original article in Scientific American, science and historical journalist El-Hai’s (Creative Writing/Augsburg Coll.; The Lobotomist: A Maverick Medical Genius and His Tragic Quest to Rid the World of Mental Illness, 2005) dark exploration begins at the end: with the suicide of prominent U.S. Army psychiatrist Capt. Douglas Kelley. The author examines the origins of his depressive internal crisis: his professional association with one of the most powerful Nazi leaders, Hermann Göring. Unfussy and compelling, El-Hai’s chronicle details the intensive intercourse between the two men. Kelley was called in to perform physical and mental evaluations on the top Nazi officials awaiting arraignment in the Nuremberg tribunals, yet zeroed in on Göring. Hitler’s right-hand man presented at Nuremberg as an arrogant, plump, cutthroat “master manipulator” addicted to paracodeine. Stripped of his diamond-embossed ivory baton (a gift from Hitler), oversize gemstone rings and manifold honorifics, the prideful and charming Göring acquiesced to the general orthodoxy of Kelley’s medical assessments, including inkblot testing and apperception analyses. As suicide increasingly became a destiny of choice for several other Nazi captives, the doctor became increasingly enraptured by the domineering Göring, delving intensively into his fearlessness during his conviction and further exploring the unshakable allegiance of the Nazi personality. This obsessive research would negatively manifest itself in Kelley’s psyche for decades, ultimately facilitating his undoing. El-Hai’s spadework involved scouring Kelley’s trove of private documents, letters and clinical journals, all graciously provided by the doctor’s oldest son.
Recently slated for both film and stage adaptations, El-Hai’s gripping account turns a chilling page in American history and provides an unsettling meditation on the machinations of evil.Pub Date: Sept. 10, 2013
ISBN: 978-1-61039-156-6
Page Count: 304
Publisher: PublicAffairs
Review Posted Online: April 15, 2013
Kirkus Reviews Issue: May 1, 2013
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BOOK TO SCREEN
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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