The world survives, but will boy get girl? Or girl get boy?
Even the veteran novelist doesn’t seem thrilled with this one.
Times of global unease provide plenty of fictional fodder for both fans and authors of international thrillers. While the latest from the bestselling Higgins (The Judas Gate, 2011, etc.) encompasses car bombing and assassination attempts, conspiracies involving members of the IRA and the Taliban and an irresistibly gorgeous heroine who happens to be both a millionaire and an accomplished killer, it suffers from a curious lack of narrative momentum, stilted dialogue and implausibility even within the fictional world it inhabits. Britain is the primary setting for the British author who has more than 60 novels under his belt, though the action propels the narrative from New York to Afghanistan, as a team of British, American, French and Muslim confederates attempt to foil a plot that may involve the assassination of the president. Or revenge for the death of Osama bin Laden. Or something. The central characters within the “Prime Minister’s private army” remain Sean Dillon and Daniel Holley, under the command of General Charles Ferguson. Fans of the series will remember that both Dillon and Holley were both previously involved with the IRA, and that the latter once almost killed the former, but by now they’ve become close friends and comrades, their devotion to the British Empire unquestioned. Providing a romantic twist is the ravishing, redheaded Sara Gideon, a Jewish war hero and undercover intelligence officer enlisted by Ferguson’s team. Everyone assumes that Holley will try to seduce her, though she spends much of the novel trying to seduce him. As has become his unfortunate tendency, Higgins attempts to advance the plot through dialogue that one can’t imagine anyone actually saying—e.g., “As you two well know, several dissident groups, all IRA in one way or another, have raised their ugly heads once again.” And “International terrorism is the scourge of our times, Mr. President, powered by fanatics who insist on extreme views. It’s like a cancer that needs to be cut out to stop it spreading.”
The world survives, but will boy get girl? Or girl get boy?Pub Date: Jan. 3, 2012
ISBN: 978-0-399-15809-4
Page Count: 336
Publisher: Putnam
Review Posted Online: Oct. 15, 2011
Kirkus Reviews Issue: Nov. 1, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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