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RUN RUN RUN

THE LIVES OF ABBIE HOFFMAN

A touching portrait of a complex and tortured soul, written by his brother. Abbie Hoffman, one of the best-known radicals of the 1960s, kept in almost daily contact with his kid brother, Jack, even during his days of hiding as a fugitive. With the help of Four Walls Eight Windows copublisher Simon, Jack now chronicles their relationship and his brother's life. From humble Russian-Jewish origins, they were the sons of a long-suffering father, whom they compared to Willy Loman in Death of a Salesman, and a mother best described as eccentric. Experimenting with drugs and gradually becoming politicized, Abbie joined SNCC in 1964 and helped raise funds for their Freedom Summer efforts. Later he founded the Youth International Party (the Yippies) with Jerry Rubin and organized the protests against the 1968 Democratic Convention in Chicago. He established himself as the clown prince of the counterculture, writing Revolution for the Hell of It and Steal This Book. The humor with which he approached the Chicago 7 conspiracy trial and his appearance before HUAC is vividly depicted. His continuing drug use and experimentation led to his arrest in 1973 on cocaine charges. Abbie went underground for almost seven years. Hiding first in Mexico, he later returned to the US, living in upstate New York under the alias Barry Freed. Unable to stay out of politics, he became a noted environmental activist. He also battled manic-depression. In 1980, he reemerged and surrendered to authorities; after about a year in prison, he was paroled. He became increasingly depressed, however, and drugs and alcohol only compounded the problem. He took his own life in 1989. These events are well known, and Jack Hoffman is curiously removed from the story he tells. He elaborates little, if at all, on how it felt to be the younger brother of such a notorious figure, as if he were still content to remain in Abbie's lingering shadow. Nevertheless, this is the forceful story of an American original.

Pub Date: Sept. 21, 1994

ISBN: 0-87477-760-7

Page Count: 336

Publisher: TarcherPerigee

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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