A forgotten novel—forgotten, by its author, for a reason—by Beat Generation icon Kerouac.
Years before taking to the highway, Kerouac tried his hand at a Jack London–esque yarn. He had all the material he needed out on the open ocean, where he served a short hitch in the Merchant Marine during a dangerous time of prowling wolf packs of Nazi submarines—and it’s a sobering thought to realize that Kerouac first tried his hand at a novel fully 70 years ago, back on dry land. The result is a work that, well, reads in many ways as if written 70 years ago (“It was there he’d met that cute little colored girl who belonged to the Young Communists League”). The story concerns a young man, “just above average height, thin, with a hollow countenance notable for its prominence of chin and upper lip muscles, and expressive mouth…and a pair of level, sympathetic eyes”—a young man, that is, very much like the 20-year-old Kerouac—who finds himself on shore leave in New York, and there gets himself in all sorts of whiskey-soaked mischief. Though Kerouac myth has it that he sprang fully formed, like Athena, from America’s brow with On the Road, this antedates his masterwork by a full decade, and it shows every sign of being a first book (as when, early on, Kerouac has difficulty deciding whether the narrative is to be in the past or the present tense, mixing both). But the centerpiece of the story is a friendship, sometimes bordering on homoerotic, between two young men in a time of war and social stress, which, of course, would remain Kerouac’s grand theme for many books to follow. Not much happens in the book, which, for all its awkwardness, has promising moments. However, readers expecting the exuberance and poetry of the later Kerouac will come away unsatisfied. Of interest primarily to scholars and diehard Kerouackers; general readers ought to head to the far more memorable On the Road, The Subterraneans and The Dharma Bums.
Pub Date: March 6, 2012
ISBN: 978-0-306-82125-7
Page Count: 224
Publisher: Da Capo
Review Posted Online: Jan. 22, 2012
Kirkus Reviews Issue: Feb. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
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