by Jack L. Schwartzwald ‧ RELEASE DATE: Nov. 7, 2017
A slim, useful guide to a politically fraught but historically transformative stretch of European history.
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A scholarly history explores the emergence of the nation-state out of the political and philosophical upheavals of the 17th and 18th centuries.
In this book, Schwartzwald (The Collapse and Recovery of Europe, 2015, etc.) announces an ambitious task: a chronicle of the genesis of the nation-state. The author divides his history into three interconnected parts. First, he charts the attempt of kings to aggrandize their power by claiming divine support—King James of England pursued such unlimited rule, followed by his successor, Charles, who shared his “absolutist pretensions.” Paradoxically, Oliver Cromwell’s thirst for power, which involved keeping the restoration of a Stuart dynasty at bay, ushered in a “triumph of constitutionalism” in England. Later in this section, the focus is on France and King Louis XIV’s indefatigable quest for a centralization of his power and its territorial extension, a quixotic aim that "sowed the seeds of the monarchy’s destruction even as he raised it to its zenith." In the second part, state power is reinterpreted as a contract between ruler and ruled, though in such a way that “enlightened despotism” is preferable to democracy. Schwartzwald lucidly demonstrates that such a reinterpretation of legitimate political authority tended more toward revolution than reform. In the last section of the book, he explores the final throes of political absolutism, its death supported by the Enlightenment philosophers who elevated reason and nature over the divine and made popular sovereignty both attractive and defensible. Each part concludes with a “societal achievements” section, which offers commentary on the intellectual and scientific advances of the time. The author aims to reach the “student and the general reader alike” and does indeed in admirably accessible prose. Occasionally, readers will be overwhelmed by a swarm of details, but Schwartzwald skillfully keeps his eye on the big picture. His view certainly isn’t an original one, and he doesn’t delve as deeply philosophically as other well-known studies. But he ably furnishes a brief but rigorous overview.
A slim, useful guide to a politically fraught but historically transformative stretch of European history.Pub Date: Nov. 7, 2017
ISBN: 978-1-4766-6547-4
Page Count: 275
Publisher: McFarland
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: March 15, 2020
Review Program: Kirkus Indie
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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