Meditations on some of life’s biggest questions as told through some harrowing experiences.
A caring counselor with all the answers is sent into a tailspin after a tragic climbing accident on Mount Everest.
When Roberto Sanchez is first introduced, he’s a surly, bitter shell of a man, unable to cope with the horrible loss of his legs—the grim result of surviving a sudden avalanche on the world’s highest mountain. Each day the man wheels into his therapist’s office, he appears darker and more despondent than the day before. His loving wife, Monique, and steadfast daughter, Jenny, are at wit’s end, fearing that although Roberto has survived death, he remains stubbornly locked in the icy clutches of a life-sapping grief. Only when his journal is cracked open, and stories of his many encounters with at-risk kids emerge, is Roberto’s true identity revealed. Despite the nihilism that seeped into his battered and traumatized heart, Roberto was one of the most upbeat and insightful human beings anyone would ever want to meet. Through his work, Roberto practically single-handedly rescued scores of marginalized children from the depths of the bleakest despair. Langedijk’s dialogue-heavy narrative comes alive during these often profoundly moving and genuinely touching vignettes. For instance, Kong, an overweight loner mentored by Roberto, moonlights as an anonymous online angel for other depressed kids like himself while also meticulously describing his efforts to connect in the real world. “I don’t know if you remember,” he tells Roberto, “but purple, purple is where someone says hi or even waves or nods. Well, I don’t know if you noticed but when I first did this I never had any purple, but now every day—purple….Purple!” If that doesn’t loosen a tear, there’s the story in Roberto’s journal of a cheerful doorman named Aaron, who started life as boy-soldier in Joseph Kony’s ghastly Lord’s Resistance Army in Uganda. Aaron isn’t actually one of Roberto’s young clients, but like Kong and the rest of Roberto’s former charges, he helps the maimed counselor reclaim his passion for life. Langedijk has lots to say about courage, compassion, redemption, and self-worth. Although those life lessons are more compelling than the actual drama unfolding around Roberto’s post-Everest experience, they more than make the journey with him worthwhile.
Meditations on some of life’s biggest questions as told through some harrowing experiences.Pub Date: Sept. 14, 2014
ISBN: 978-0-9937586-1-4
Page Count: 388
Publisher: CreateSpace
Review Posted Online: June 25, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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