Following The Beast and the Bethany (2020), Ebenezer and Bethany struggle to become do-gooders.
Troublemaking Bethany’s working hard to change, and she wants Ebenezer—less enthusiastic but willing—to purge his beast-gifted luxuries and join her de-beasting mission. In flashbacks, readers see that lonely young Ebenezer’s first friend was the beast; current-day Ebenezer knows he shouldn’t miss the monster, but he kind of does. Furthermore, a significant difficulty in do-gooding is that neither hero knows how to be good. Luckily, they have Claudette, the Wintlorian purple-breasted parrot, for guidance—except Claudette’s been feeling off ever since eating the beast. Though readers will be able to spot the not-so-vanquished beast operating through Claudette before the characters do, the exact schemes include intricate plans with details that still surprise. Bethany learns just how hard it is to overcome a bad reputation when she’s sabotaged and then blamed for the fallout as the beast manipulates its way to a very public bad ending for her. The humor offers a delightful blend of dry eloquence and gross-out subject matter, as in the description of a building as “an architectural equivalent of someone who freely picks their nose in public.” The resolution takes some clever thinking from Ebenezer but also a touch of deus ex machina. The story ends with a teaser for the next book. Some background characters in the illustrations bring racial diversity.
Wickedly funny and surprisingly relatable beneath the exaggerated silliness.
(Fantasy. 8-12)