by Jack Prelutsky ; illustrated by Carin Berger ‧ RELEASE DATE: March 1, 2013
Whimsy takes flight in this humorous collection
Prelutsky and Berger are back with 16 new specimens of poem and collage, meticulously rendered to excite and amuse.
After traveling the globe for creatures of animal and inanimate origin, the master of verse returns to share his discoveries. Procrastinating pandas, self-adhering geese and cacophonous magpies are a few of the carefully selected creatures on display for readers’ enjoyment. Budding naturalists will relish the details both author and illustrator offer. From the dour to the delightful, Prelutsky describes each creature in detail, packing each line with punchy playfulness: “JOLLYFISH are radiant, / Ebullient blobs of mirth, / With merry dispositions / From the moment of their birth. / ... / Their humor is infectious, / And as aimlessly they drift, / Their buoyant effervescence / Gives the neighborhood a lift.” Berger’s cleverly designed assemblages—created from ephemera and digitally manipulated vintage etchings—offer the wonder and fascination of a curio shop. Her dioramas in particular, with their steampunk aesthetic, lend an aura of authenticity to these eclectic creatures.
Pub Date: March 1, 2013
ISBN: 978-0-06-201464-1
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
Share your opinion of this book
More by Jack Prelutsky
BOOK REVIEW
by Jack Prelutsky ; illustrated by Ruth Chan
BOOK REVIEW
by Jack Prelutsky ; illustrated by Jui Ishida
BOOK REVIEW
by Jack Prelutsky & illustrated by Jackie Urbanovic
by Nikki Giovanni ; illustrated by Erin K. Robinson ‧ RELEASE DATE: Sept. 27, 2022
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Share your opinion of this book
More by Nikki Giovanni
BOOK REVIEW
by Nikki Giovanni ; illustrated by Ashley Bryan
BOOK REVIEW
by Nikki Giovanni & illustrated by Bryan Collier
BOOK REVIEW
edited by Nikki Giovanni and illustrated by Kristen Balouch
More About This Book
SEEN & HEARD
by Kiley Frank ; illustrated by Aaron Meshon ‧ RELEASE DATE: Jan. 8, 2019
There’s always tomorrow.
A lyrical message of perseverance and optimism.
The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.
There’s always tomorrow. (Picture book. 4-7)Pub Date: Jan. 8, 2019
ISBN: 978-1-101-99437-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Share your opinion of this book
More by Kiley Frank
BOOK REVIEW
by Kiley Frank ; illustrated by K-Fai Steele
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.