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STRUGGLES IN THE PROMISED LAND

Name: STRUGGLES IN THE PROMISED LAND
Author: Jack Salzman
ISBN: 0-19-508828-X

TOWARDS A HISTORY OF BLACK-JEWISH RELATIONS IN THE UNITED STATES

edited by Jack Salzman & Cornel West ‧ RELEASE DATE: March 1, 1997

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A useful if not altogether satisfying anthology regarding the two great minorities, whose relationship sometimes seems mired, in one contributor's felicitous if depressing phrase, in ``confusion, misunderstanding, and ahistoricism.'' Salzman (director, Center for American Culture/Harvard) and West (African-American Studies and Philosophy of Religion/Harvard; Race Matters, 1993, etc.) have brought together about an equal number of black and Jewish scholars in these 21 original essays. Their focus is overwhelmingly on political and socioeconomic interaction during the 20th century, after the massive immigration of Eastern European Jews and the ``great migration'' of blacks to the North led to increased intercommunal encounters. A noteworthy exception is the opening essay by David Goldenberg, which demolishes the idea, advanced by black anthropologist St. Clair Drake and others, that the ancient rabbis were racist. The book also ends with four interesting essays by Patricia Williams, Letty Cottin Pogrebin, Michael Walzer, and West. Unfortunately, too many pieces deal with material covered in greater depth elsewhere, on such matters as the crucial financial and political support of largely assimilated German Jews (for instance, Jacob Schiff and Julius Rosenwald) for such black institutions as Booker T. Washington's Tuskegee Institute, the NAACP, and the Urban League. While Gary Rubin's essay demonstrates convincingly that, despite the headline-grabbing demagoguery of a Farrakhan or a Leonard Jeffries, the black masses are not anti-Zionist, it also reminds us that we lack adequate data or even a good historical overview of the extent of racism within the American Jewish community. While the scholars, journalists, and activists represented here unearth a great deal of interesting information about the vicissitudes of the black-Jewish encounter, their work more often points out the many unexplored facets of the interrelationship of two groups caught ``in an inescapable web of mutuality.''

Pub Date: March 1, 1997

ISBN: 0-19-508828-X

Page Count: 400

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1997

Categories:

CURRENT EVENTS & SOCIAL ISSUES | ETHNICITY & RACE | GENERAL CURRENT EVENTS & SOCIAL ISSUES

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A PEOPLE'S HISTORY OF THE UNITED STATES

by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979

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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

Categories:

- BOOK REVIEW
A YOUNG PEOPLE'S HISTORY OF THE UNITED STATES
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales

- BOOK REVIEW
TRUTH HAS A POWER OF ITS OWN
by Howard Zinn with Ray Suarez

- BOOK REVIEW
THE HISTORIC UNFULFILLED PROMISE
by Howard Zinn

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I KNOW WHY THE CAGED BIRD SINGS

by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

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Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynchingâ€”and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.