by Jack Shuler ‧ RELEASE DATE: Sept. 8, 2020
Full of grim yet important statistics and vignettes as well as a few sensible solutions.
Another alarming report from the front lines of the opioid epidemic.
Shuler, who teaches journalism at Denison University, focuses his on-the-ground study in nearby Newark, Ohio, “a microcosm of the U.S. economy—a once-prosperous industrial city that has felt the effects of neoliberal free-trade policies.” Though not far from Columbus, Newark is also perched on the edge of Appalachia; it suffers from all the troubles of a Rust Belt city, including a populace that is largely unprepared for this long-term economic shift and has not been quick to reeducate itself. Thus begins a kind of self-fulfilling prophecy—as Shuler points out, the toll that opioids take on the under- or uneducated means more than four times the death rate as compared to those with even some college. This speaks to the current notion, propounded by economists Anne Case and Angus Deaton, of “deaths of despair.” As Shuler further notes, although the opioid crisis is indisputably a matter of public health and “a form of collective trauma on par with the HIV/AIDS crisis,” it is generally treated as a criminal matter, which only exacerbates the problem. Some of Shuler’s informants have had it a little better in life but still fall victim: a woman of a comparatively privileged background who turned to drugs to self-medicate for bipolar disorder and who deems the current overdose crisis—“since 2000, the accidental overdose rate in Ohio has more than tripled”—a human rights crisis as well. The author ventures some eminently practical measures, including making lifesaving medications widely available; more users, he urges, “could be saved from an opioid overdose death if more people had naloxone.” Furthermore, we blame drugs too readily when “they’re just a symptom” of a greater social crisis we continually fail to address. Though not quite on par, this book should be shelved next to Beth Macy’s Dopesick and Sam Quinones’ Dreamland.
Full of grim yet important statistics and vignettes as well as a few sensible solutions.Pub Date: Sept. 8, 2020
ISBN: 978-1-64009-355-3
Page Count: 304
Publisher: Counterpoint
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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edited by Michael Croley & Jack Shuler
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by Jack Shuler
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by Jack Shuler
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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