This tale will give readers some laughs on a summer afternoon, which is all one asks of it.
Surely this is the only novel, comic or otherwise, starring an agrostologist, and this one escapes what seems to be a very long bad dream with his pride, if little else.
This story’s protagonist and narrator, a likable schlub named Joe (called “Slim” for most of the novel), is a grass botanist, or “grassman.” He comes under the sway of Bill Borrington, a man who exemplifies that hackneyed phrase, “a force of nature.” Bill always has some mad scheme going, and this one involves growing one’s own putting green. Joe knows that the project is doomed from the start, like Bill’s plan to breed prize beef cattle from one bull that’s literally on its last legs, but he’s also broke and desperate. Readers then meet a cast of characters that includes two sycophantic lawyers that never leave Bill’s side; the exotic, ravishing Autumn Bliss (with whom Joe unsurprisingly falls in love), the evil Zomboni sisters, and others. Bill is demanding, but also a bit of a flake; Joe has to recruit his own workforce from local winos, as the crew that Bill got from the women’s prison didn’t work out. He does manage to build a pond, dam, and irrigation system on Muddy Brook, which meanders through the property, but that doesn’t work out either. Meanwhile, the Zomboni sisters have put a curse on all of Bill’s endeavors, so that just the thought of them reduces him to a quivering wreck. Young (Hail, Cigaros!, 2016) is genuinely witty and seems to be enjoying himself as he keeps the plot stirred. He’s not on the level of, say, Peter De Vries, but readers will await more comic novels from him. The basic joke in this story is Joe’s insecurity and his relentless anxiety about being found out; he is a bona fide agrostologist, but he also knows he’s taken on an impossible task. On the other hand, he does have his resourceful moments, and there’s never a time when readers aren’t rooting for him. He finally escapes the wreckage of Muddy Brook Farm, counting himself lucky, and readers will count themselves satisfied.
This tale will give readers some laughs on a summer afternoon, which is all one asks of it.Pub Date: June 11, 2015
ISBN: 978-1-312-78030-9
Page Count: 220
Publisher: Lulu
Review Posted Online: Aug. 4, 2016
Review Program: Kirkus Indie
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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