Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

Faraway Green

This tale will give readers some laughs on a summer afternoon, which is all one asks of it.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Surely this is the only novel, comic or otherwise, starring an agrostologist, and this one escapes what seems to be a very long bad dream with his pride, if little else.

This story’s protagonist and narrator, a likable schlub named Joe (called “Slim” for most of the novel), is a grass botanist, or “grassman.” He comes under the sway of Bill Borrington, a man who exemplifies that hackneyed phrase, “a force of nature.” Bill always has some mad scheme going, and this one involves growing one’s own putting green. Joe knows that the project is doomed from the start, like Bill’s plan to breed prize beef cattle from one bull that’s literally on its last legs, but he’s also broke and desperate. Readers then meet a cast of characters that includes two sycophantic lawyers that never leave Bill’s side; the exotic, ravishing Autumn Bliss (with whom Joe unsurprisingly falls in love), the evil Zomboni sisters, and others. Bill is demanding, but also a bit of a flake; Joe has to recruit his own workforce from local winos, as the crew that Bill got from the women’s prison didn’t work out. He does manage to build a pond, dam, and irrigation system on Muddy Brook, which meanders through the property, but that doesn’t work out either. Meanwhile, the Zomboni sisters have put a curse on all of Bill’s endeavors, so that just the thought of them reduces him to a quivering wreck. Young (Hail, Cigaros!, 2016) is genuinely witty and seems to be enjoying himself as he keeps the plot stirred. He’s not on the level of, say, Peter De Vries, but readers will await more comic novels from him. The basic joke in this story is Joe’s insecurity and his relentless anxiety about being found out; he is a bona fide agrostologist, but he also knows he’s taken on an impossible task. On the other hand, he does have his resourceful moments, and there’s never a time when readers aren’t rooting for him. He finally escapes the wreckage of Muddy Brook Farm, counting himself lucky, and readers will count themselves satisfied.

This tale will give readers some laughs on a summer afternoon, which is all one asks of it.

Pub Date: June 11, 2015

ISBN: 978-1-312-78030-9

Page Count: 220

Publisher: Lulu

Review Posted Online: Aug. 4, 2016

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Close Quickview