by Jackie Azúa Kramer ; illustrated by Julia Breckenreid ‧ RELEASE DATE: Oct. 5, 2021
An imperfect but worthwhile portrait of two unique collectors of modern art and the artists who surrounded them.
“Dorothy and Herbert lived for ART.”
When the term art collector is used, a librarian and a postal worker don’t usually come to mind. But Dorothy and Herbert Vogel, formerly painting students themselves, were bitten by the art bug. Beginning in the 1960s, they lived frugally, saved their money, and “if Dorothy and Herbert liked the art, could carry it in a cab or subway…move it up the elevator, and fit it into their tiny Upper East Side apartment, they bought it,” filling their small apartment from floor to ceiling with exciting pieces. Lyrical, energetic text and memorable, innovative illustrations (including a particularly dramatic double gatefold) capture the Vogels’ love of art and the artists of New York’s SoHo community, show how Dorothy and Herbert became mentors and hosts, and include interesting details. There is no list of the art and artists depicted, though the illustrator’s website contains a key and includes web-based resources, many on Wikipedia. While the text is sometimes a bit vague (it explains that they decided to “share [their collection] with the world” without explicitly stating that instead of selling or showing it, they donated it), overall, this is a warm and thoughtful depiction of the two collectors as well as an engaging introduction to the world of modern art. The title characters are White; street scenes reflect New York City’s racial diversity.
An imperfect but worthwhile portrait of two unique collectors of modern art and the artists who surrounded them. (author’s note, illustrator’s note, glossary, sources) (Picture book/biography. 5-8)Pub Date: Oct. 5, 2021
ISBN: 978-1-951836-21-4
Page Count: 40
Publisher: Cameron + Company
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Malala Yousafzai ; illustrated by Kerascoët ‧ RELEASE DATE: Oct. 17, 2017
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter.
The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.
Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter. (Picture book/memoir. 5-8)Pub Date: Oct. 17, 2017
ISBN: 978-0-316-31957-7
Page Count: 48
Publisher: Little, Brown
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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