Collins resolves these and many other questions at breakneck pace, with her inimitable touch of crass evident throughout....
The usual mixed bag of vixens, sexy louts, and a hardworking star or two from Collins (Lethal Seduction, 2000, etc), on familiar territory in la-la land once more.
Lissa Roman, singer and movie actress, is still gorgeous at 40, but she has to work at it. Too bad her pesky offspring, Nicci, is now old enough to actually be engaged. What’s next? Grandchildren? Perish the thought and get me my agent—who lands Lissa a fabulous gig opening a lavish new Las Vegas hotel. It’s a welcome distraction from her restless fourth husband, Gregg, part-time philanderer and full-time bodybuilding egotist. He’s so Hollywood—Lissa rues the day she married him. Well, perhaps her darling daughter will settle down with that hot young director, Evan Richter, and find happiness. Instead, Nicci finds she’s wildly attracted to Evan’s bad-boy twin, Brian. Will she stay faithful, or bed the naughty brother before her bachelorette party? And should she tell that weird guy in the stocking mask who just knocked on her door to go away? Decisions, decisions. Taylor Singer, a sometime actress married to a famous director who bores her in bed, has a few decisions of her own to make. Should she say yes to Montana, the bisexual woman director who wants her to play a leading role in a lesbian love story? Should she say no to Oliver Rock, the skanky but sexy young screenwriter who just sold his first opus for a million bucks? Getting back to the heroine: Lissa has the hots for Michael Scorsinni, the obligatory macho Italian cop and official Real Person in this hackneyed plot. Will he get the goods on cheating Gregg? And will Lissa let him out of bed long enough to save the life of her kidnapped daughter?
Collins resolves these and many other questions at breakneck pace, with her inimitable touch of crass evident throughout. Happiness awaits schlock connoisseurs and uncritical fans alike.Pub Date: June 22, 2001
ISBN: 0-7432-1634-2
Page Count: 528
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2001
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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