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THE SANTANGELOS

Collins’ dim view of human nature never fails to entertain.

The latest in the adventures of Collins’ lady mobster with a heart of platinum, Lucky Santangelo.

When we last left Lucky (Goddess of Vengeance, 2011, etc.) she was extricating her children from scrapes and fighting off a hostile takeover attempt by the Middle Eastern kingdom of Akramshar on her Las Vegas showplace, The Keys. Nothing much has changed except that gorgeous, canny, and sexy Lucky continues to age in reverse. A prologue reveals that since Armand, the favorite son of Akramshar’s King Emir, was assassinated at The Keys, Emir has vowed revenge on the entire Santangelo clan. The first salvo arrives as Lucky is preparing for another Vegas reunion with her former mob boss father, Gino. The ever feisty nonagenarian is gunned down, execution style, while on his daily power walk in Palm Springs, and Lucky finds an anonymous embossed card reading “Vengeance” in his desk. Lucky’s son, Bobby, opening his new nightclub in Chicago, is slipped a roofie by a call girl—for whose murder he is subsequently framed. Lucky immediately suspects a link between Gino’s killing and Bobby’s predicament, but her private detective informs her the attack on Bobby was probably intended to ensnare Bobby’s girlfriend, Denver, a Los Angeles district attorney who's attempting to bring down Alejandro, son of Pablo Diego, another of Collins’ hate-worthy drug-czar villains. As for Lucky’s daughter, 18-year old Max, a breakthrough Italian modeling gig has turned into “something of a nightmare,” an atypical (for Collins) understatement. For some reason, Lucky doesn’t wonder who else might have had it in for the Santangelos. As readers wait breathlessly for Lucky to catch on, a stable of has-beens and hopefuls, including Willow, a tabloid-tarnished former starlet trying to fellate her way to a career restart, and Rafael, the illegitimate son Pablo underestimates at his peril, adds spice to Collins’ usual stew of Hollywood depravity.

Collins’ dim view of human nature never fails to entertain.

Pub Date: June 16, 2015

ISBN: 978-1-250-04823-3

Page Count: 544

Publisher: St. Martin's

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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