In a sort of “queer eye for the straight sheep,” a mild-mannered shearer and his sheep-sheep show a trio of tough shearers how to get in touch with their stylish sides. Ratso, Big Bob and Bungo, and their sheepdogs Brute, Tiny and Fang, are taken aback, to say the least, when Shaun shows up with fedora-clad Pete, a sheep-herding sheep, whose polite way with his flock represents a radical and unwelcome new way of doing things. Ostracized from shearer society, Shaun practices his craft on Pete, whose new do draws all the other sheep to him, prompting him to open a salon. Soon, Brute, Tiny and Fang are sporting Shaun’s handiwork as well, and finally Ratso, Big Bob and Bungo all join in. As in the pair’s Diary of a Wombat (2003), the understated text gives the whimsical watercolor-and-pencil illustrations plenty of room to explore the inherent wackiness of the concept, as the gentle Shaun finds the right look for everyone, sheep, dog and shearer alike. It’s a sweetly fleecy tale of outsider-makes-good, the genially inevitable ending entirely satisfying. (Picture book. 5-8)
Pub Date: Oct. 17, 2005
ISBN: 0-618-56862-X
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
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BOOK REVIEW
BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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BOOK REVIEW
BOOK REVIEW
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