A structurally sound story about challenging assumptions and responsible engineering.
Ellie and her friends from Ellie, Engineer (2018) return for more mishaps while proving anyone can be an engineer.
Ellie, Kit, and Toby use a pulley to build an elevator for Ellie’s workshop, both so they won’t have to carry supplies up the ladder and so the workshop will be accessible to people like Ellie’s grandmother and a school friend who uses a wheelchair (the latter is mentioned but doesn’t appear in the story). Unfortunately, the design fails, dumping and shattering its massive (and borrowed-without-permission) pickle-jar payload. Ellie’s punishment consists of helping elderly neighbor Mrs. Curran for a week. With Kit’s help, Ellie plans all sorts of inventions she could make to help a grandmother type only to find that stereotype-breaking Mrs. Curran’s an appearance-focused doll artist who does not bake cookies and who has sophisticated tastes. When Toby joins the girls at Mrs. Curran’s house, the team starts to use their engineering know-how to make repairs and improvements—but though she’s appreciative, Mrs. Curran can’t wrap her head around the fact that Ellie is the brains of the operation, and she defaults to crediting Toby. To help Mrs. Curran realize that girls can be engineers, they scheme to show her she can be one herself, with an improved elevator design to help her carry her art supplies up to her studio. One last twist complicates their plan before the happy ending. The thematic parallel that compares limited expectations of both girls and the elderly works well, but it isn’t subtle. The cast seems to default to white.
A structurally sound story about challenging assumptions and responsible engineering. (guide to simple machines) (Fiction. 7-11)Pub Date: Nov. 6, 2018
ISBN: 978-1-68119-521-6
Page Count: 192
Publisher: Bloomsbury
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Thought-provoking and charming.
A sophisticated robot—with the capacity to use senses of sight, hearing, and smell—is washed to shore on an island, the only robot survivor of a cargo of 500.
When otters play with her protective packaging, the robot is accidently activated. Roz, though without emotions, is intelligent and versatile. She can observe and learn in service of both her survival and her principle function: to help. Brown links these basic functions to the kind of evolution Roz undergoes as she figures out how to stay dry and intact in her wild environment—not easy, with pine cones and poop dropping from above, stormy weather, and a family of cranky bears. She learns to understand and eventually speak the language of the wild creatures (each species with its different “accent”). An accident leaves her the sole protector of a baby goose, and Roz must ask other creatures for help to shelter and feed the gosling. Roz’s growing connection with her environment is sweetly funny, reminiscent of Randall Jarrell’s The Animal Family. At every moment Roz’s actions seem plausible and logical yet surprisingly full of something like feeling. Robot hunters with guns figure into the climax of the story as the outside world intrudes. While the end to Roz’s benign and wild life is startling and violent, Brown leaves Roz and her companions—and readers—with hope.
Thought-provoking and charming. (Science fiction/fantasy. 7-11)Pub Date: April 5, 2016
ISBN: 978-0-316-38199-4
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
SEEN & HEARD
BOOK TO SCREEN
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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