by Jacob M. Appel ‧ RELEASE DATE: Feb. 11, 2014
A beautiful, well-balanced collection.
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In this collection of literary fiction, winner of the 2012 Hudson Prize, seven short stories explore secrets, lies and trust.
Appel (Phoning Home: Essays, 2014, etc.) populates his stories with mostly ordinary people. But his characters, whether a truck driver or a professional folklorist, teenage or elderly, male or female, all tend to come up against a longing for trustworthiness. The title story begins with the knockout line: “Nothing sells tombstones like a Girl Scout in uniform”—a mild piece of deception (Natalie, the narrator, is 13 and was never a Girl Scout) that hints at more complicated ones to follow. Over several visits, Natalie’s father flirts with an old love, Delia Braithwaite, who’s dying, while ostensibly selling her a headstone. When she finally says, “I trust you, Gordon,” he trembles, as if suppressing a scream: “My father’s tone shifted slowly from intimate to false intimate—the voice he used to clinch the bargain with his other customers.” In these stories, trust can create distance as well as closeness, as can the truth. In “Choose Your Own Genetics,” a lesson on blood typing discloses some unsettling news; even more unsettling is how the narrator’s respected father, a geneticist, uses his superior knowledge to bully the teacher. Greta, the lonely, widowed central character in “Ad Valorem,” decides to ignore what she knows to be true since she longs to trust. Part of trusting yourself is knowing your limits, or as the truck-driver narrator of “Hazardous Cargoes” puts it: “You’ve got to know your load. And you’ve got to know how far to carry it.” Appel approaches his characters with compassion and an understanding of human frailty. In “The Extinction of Fairy Tales,” another lonely character realizes when her lawn-care man stops showing up that she doesn’t even know his last name, and she owes him a debt of gratitude: “She wanted to tell people that he was the man who’d buried her dog, but that sounded absolutely nutty out-of-context. There was the problem with human relationships—you could never really explain them.” Luckily for readers, Appel can.
A beautiful, well-balanced collection.Pub Date: Feb. 11, 2014
ISBN: 978-1-937854-95-9
Page Count: 187
Publisher: Black Lawrence Press
Review Posted Online: April 4, 2014
Kirkus Reviews Issue: May 15, 2014
Review Program: Kirkus Indie
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PERSPECTIVES
PERSPECTIVES
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Tim O’Brien ‧ RELEASE DATE: March 28, 1990
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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