In previous work, dealing with apparently evermore earthly concerns, Needleman (Philosophy/San Francisco State) has dug for the spiritual roots of Christianity (Lost Christianity, 1980), philosophy (The Heart of Philosophy, 1982), and medicine (The Way of the Physician, 1985). Now, he tackles mammon itself—in a genuinely innovative study of the relationship between money and the spiritual life. As before, Needleman uses anecdote and idea-driven drama to illustrate his argument—a welcome technique here, since his thinking is complex, sometimes difficult. The frame in this case is a one-day seminar he gave on money and meaning—allowing him to employ two characters, Bill and Alyssa (``fictionalized distillations of numerous rich exchanges with my students''), who act, more or less, as Phaedo or Meno to his Socrates. Bill, though a multimillionaire, understands neither money nor life; Alyssa, an artist-turned-accountant, has a partial grasp of both. The two listen and question as Needleman—with reference to the Bible (e.g., a drawn-out retelling of the legend of Solomon) and the ideas of Weber, the Sufis, Gurdjieff, and others—traces what he sees as the devolution of money from its ancient balanced purpose of organizing mundane affairs to its present lock on our lives. We are obsessed with money, Needleman says, yet ``we don't take money seriously enough''—that is, we fail to give it its proper place. This is the heart of his brief: that humanity was created to dwell in ``two worlds''—that of the spirit and that of the mundane—and that only by fully mastering the mundane, in its primary manifestation of money, can we discern that which properly belongs to the spirit. The idea manifests itself in action as Needleman experiences a spiritual breakthrough in turning down Bill's whimsical gift to him of a half-million in gold. Dynamic philosophy that opens up a whole new way of looking at the financial demands of life. Needleman's best and most important book.
Pub Date: Nov. 18, 1991
ISBN: 0-385-26241-8
Page Count: 220
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1991
BOOK REVIEW
BOOK REVIEW
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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