by Jacob S. Hacker & Paul Pierson ‧ RELEASE DATE: May 19, 2020
A cogent and dispiriting contribution to the growing number of analyses of the ailing American democracy.
How the Republicans’ embrace of economic elites threatens democracy.
Political scientists Hacker (Yale) and Pierson (Univ. of California, Berkeley) synthesize many scholarly studies and journalists’ reports to mount a compelling, though not groundbreaking, argument that what they call “plutocratic populism”—reactionary economic priorities and right-wing cultural and racial appeals—dominates the Republican Party, undermining democracy. Although Donald Trump is an exemplar of this stance, the authors maintain that Republicans bowed to the ultrawealthy long before the 2016 election. They cite, for example, the 2001 tax cuts, which benefited the rich far more than the middle class and “were sharply at odds with what the majority of voters thought the nation’s budget priorities should be.” Republicans blatantly covet backing from wealthy supporters, with Mike Pence selected as vice president partly to satisfy evangelicals, partly because of his close ties to big donors, notably the Koch brothers. Over several generations, the party’s loyalty to the wealthy caused a shift to cultural issues and outrage in order to attract voters. “The early specialists in outrage-stoking,” the authors assert, “were the Christian right and the NRA,” which both were fueled by “racial backlash.” Increasingly, Republicans have fostered a campaign of “resentment, racialization and rigging” in their pursuit of white voters. In the 2018 midterm elections, however, the party’s losses caused it to shift to “a third option”: to “make voters’ voices less relevant” by turning election rules and redistricting “into finely honed partisan weapons.” Democracy itself is a problem for Republicans “because it threatens the property and power of powerful minorities.” The interests of those wealthy minorities, the authors warn, “diverge from those of their fellow citizens,” making them “more apprehensive about democracy.” The authors are cautiously optimistic that shifting demographics may weaken Republicans’ power, but only Trump’s “decisive electoral defeat” will possibly “motivate a fundamental rethinking of the party’s priorities.”
A cogent and dispiriting contribution to the growing number of analyses of the ailing American democracy.Pub Date: May 19, 2020
ISBN: 978-1-63149-684-4
Page Count: 256
Publisher: Liveright/Norton
Review Posted Online: Jan. 21, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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