A murder victim guides a young woman to a new understanding of her life—and to a killer.
The murder of an attractive young woman is the foundation on which many crime novels are built—a device used too often, some might argue. But in her unique first book, Australian writer Bublitz turns that traditional construct on its head with fierce compassion and a welcome dose of feminist outrage. The narrator is 18-year-old Alice Lee, whose troubled past in a small Wisconsin town sent her fleeing to New York City, where she becomes the victim of a terrible crime. But instead of focusing only on the hunt for her killer, Bublitz puts Alice center stage. Her spirit filled with sorrow and fury, Alice demands the reader’s attention, assuring us that this is not a story about the man who killed her but about her—and young women everywhere whose lives have been cruelly reduced to sensational headlines. Before her death, Alice fell in love with the city and discovered a fascination with photography. After her murder, she attaches herself to Australian Ruby, another struggling soul who has also left home for a fresh start only to be derailed by finding Alice’s body. Alice slowly reveals fragments of herself to Ruby, and together they stumble toward bringing the killer to justice and Ruby toward a new understanding of freedom and the need for boundaries, the importance of finding a community to be a part of, and what she needs to do to make her life her own. This is undeniably a crime story, but Bublitz’s creativity, affectionate descriptions of a New York City she obviously adores, and strong character development make this novel stand out in a crowded genre.
A unique, feminist take on the suspense genre and our fascination with violence.