The lives and loves of a group of New York women are breathlessly hashed over in this collection of amusing stories by a contributor to The New Yorker and Wigwag—droll, sophisticated fiction by a promising Brooklyn writer. As in all really good gossip, the characters in these interlocked accounts establish their roles quickly and with dramatic abandon: Susannah, who came to New York to be an actress, marries early and rich; Eileen Filley, the contentious and slovenly playwright, achieves success too young; Dee Kilmartin throws parties where drunks shatter mirrors in the foyer and fall asleep in the bathtub, while Liz Quirk informs everyone of the facts behind every rumor, and Rosemary, the narrator, lets the reader in on what's really going on. All approaching their 30s, these urban strivers meet at cafes, in sublet apartments, and over the phone to gasp at such remarkable events as Susannah's move to the suburbs; Eileen's decision to take a job in a card shop as her first play opens on Broadway; and Dee's move uptown and her subsequent devastating isolation; and to wonder over such oddities as the Mask Woman, the girlfriend who never speaks, the in-laws who laugh at everything, and so on. Urban fears—including dreams of being found dead in one's apartment (``The problem,'' says Liz, ``is I have such a good deal on this place that the dream isn't just anxiety, it's prophecy'') and fantasies of escape via professional success, marriage and/or children, or a permanent apartment—distract from dreaded moments of calm reflection. As Rosemary admits, ``There's a special sort of pang you get when you realize that you aren't going to learn seven languages, and that there are countries you won't ever visit, and that somehow through the years you've turned into a specific sort of person.'' On the other hand, ``Think of all the things that could happen at a party.'' An accurate chronicle, wittily rendered.
Pub Date: Feb. 1, 1992
ISBN: 0-394-57638-1
Page Count: 208
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1991
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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