A new and contemplative take on the vampire novel.
Following a vampire across more than 200 years, this novel considers “whether this world and life in it is a kindness or an unkindness, a blessing or a curse.”
At the age of 10, Anna faces illness and death daily as an epidemic sweeps through her town. After the deaths of her father and brother, and when she's at her sickest, her grandfather arrives. Just as she’s about to succumb to the illness that killed her whole family, he transforms her into a vampire like himself. When she asks him why he did it, he replies: “This world, my dear child, all of it, right to the very end if there is to be an end, is a gift. But it’s a gift few are strong enough to receive. I made a judgment that you might be among those strong few, that you might be better served on this side of things than the other. I thought you might find some use for the world, and it for you.” The years that follow are difficult and often wrought with loss for Anna. She lives many lives over the centuries and eventually takes on the name Collette LaSange, opening a French preschool in Millstream Hollow, New York. Chapters alternate between Anna’s life beginning in the 1830s and her current life in 1984 as Collette. Notable points of tension arise when Collette tries unsuccessfully to sate her hunger, which is becoming increasingly unbearable, and as her interest in the artistic growth of a student named Leo deepens. Through decadently vivid prose—which could have been streamlined at times—this hefty novel meditates on major themes such as life, love, and death with exceptional acumen. The final questions in the book—“How presumptuous is the gift of life? What arrogance is implicit in the act of love that calls another into existence?”—serve as an anchor to meditations on these themes found throughout.
A new and contemplative take on the vampire novel.Pub Date: March 7, 2023
ISBN: 9781250856760
Page Count: 480
Publisher: Flatiron Books
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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