A magisterial rendition, with the digital bells and whistles kept firmly in service to the story.
A stately animated version of a traditional wisdom tale better known as “The Pedlar of Swaffham,” or “The Treasure.”
Written in high-toned language—“The old woman was anything but lonely, for she had befriended her solitude almost as another, separate self”—and narrated at a deliberate pace over unobtrusive music and sound effects, the story takes a pedlar from her dusty home to a distant city, driven by a tantalizing dream. The dismissive comment of a city guard about a treasure dream of his own that describes the old lady’s home sends her back, where, beneath her own tree, she discovers a bubbling spring that transforms her sere yard into a lush oasis. The art is primarily done in neutral blue-gray tones (except at the end) with spare, precisely drawn details and naturally posed figures. As each page is a short animated loop, turning the Text Display off and the Auto Page Turn on converts the app into a close approximation of conventional video. Other options include voiceovers in Spanish or French, and also a self-record button. In place of distracting touch-activated details, random small changes are designed in that make each pass-through different, and on each new page individual letters of the text fetchingly cascade down, arrange themselves in order and then can be “dumped” to the edge by tilting the tablet.
A magisterial rendition, with the digital bells and whistles kept firmly in service to the story. (source note) (iPad storybook app. 7-11)Pub Date: July 25, 2010
ISBN: N/A
Page Count: -
Publisher: Moving Tales, Inc.
Review Posted Online: March 28, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK REVIEW
BOOK REVIEW
Thought-provoking and charming.
A sophisticated robot—with the capacity to use senses of sight, hearing, and smell—is washed to shore on an island, the only robot survivor of a cargo of 500.
When otters play with her protective packaging, the robot is accidently activated. Roz, though without emotions, is intelligent and versatile. She can observe and learn in service of both her survival and her principle function: to help. Brown links these basic functions to the kind of evolution Roz undergoes as she figures out how to stay dry and intact in her wild environment—not easy, with pine cones and poop dropping from above, stormy weather, and a family of cranky bears. She learns to understand and eventually speak the language of the wild creatures (each species with its different “accent”). An accident leaves her the sole protector of a baby goose, and Roz must ask other creatures for help to shelter and feed the gosling. Roz’s growing connection with her environment is sweetly funny, reminiscent of Randall Jarrell’s The Animal Family. At every moment Roz’s actions seem plausible and logical yet surprisingly full of something like feeling. Robot hunters with guns figure into the climax of the story as the outside world intrudes. While the end to Roz’s benign and wild life is startling and violent, Brown leaves Roz and her companions—and readers—with hope.
Thought-provoking and charming. (Science fiction/fantasy. 7-11)Pub Date: April 5, 2016
ISBN: 978-0-316-38199-4
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
SEEN & HEARD
BOOK TO SCREEN
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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