Best for committed fans of Freud, Camus, and Weil.
A feminist literary critic considers the Covid-19 pandemic.
Rose, the prolific author of On Violence and On Violence Against Women, The Question of Zion, Women in Dark Times, and other intellectually challenging books, assembles expanded versions of four previously published essays and one talk given at the London Freud Museum, along with an introduction and an afterward. The essays consider, at least tangentially, the lingering effects of the pandemic on society. More directly, they focus on three of Rose's heroes: Albert Camus, Sigmund Freud, and Simone Weil. Writing in an abstruse, academic style, Rose conducts close readings of Camus' The Plague, Freud's Beyond the Pleasure Principle, and several of Weil's more difficult works, and she considers the effect of Covid-19 restrictions on a possible upswing in domestic violence aimed at women. Rose touches briefly on the Russian invasion of Ukraine and, more frequently, on what she considers to be Boris Johnson's many flaws. She also brings into the mix her personal emotions about—though not her personal experience of—the pandemic. “I struggle, like so many, to bring into some psychic alignment the pain of my inner life and the tragedy unfolding outside my door,” she writes. In respect to Weil, Rose notes, “on the page her concepts slide into and out of each other in a sometimes creative, sometimes tortured amalgam, a blur.” The same could be said of this collection. Rose’s essays raise questions and spark thoughts, but they seldom arrive at cohesive conclusions. The author is best when she slows down to examine all sides of a passage from one of the authors she loves, bringing to light implications that might slip by in a cursory reading or, in the case of Camus, meditation on questions of translation. Rose has never been accused of talking down to her readers, and many may find this volume not worth tackling.
Best for committed fans of Freud, Camus, and Weil.Pub Date: June 7, 2023
ISBN: 9780374610869
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 20, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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