THE PLAGUE

A feminist literary critic considers the Covid-19 pandemic.

Rose, the prolific author of On Violence and On Violence Against Women, The Question of Zion, Women in Dark Times, and other intellectually challenging books, assembles expanded versions of four previously published essays and one talk given at the London Freud Museum, along with an introduction and an afterward. The essays consider, at least tangentially, the lingering effects of the pandemic on society. More directly, they focus on three of Rose's heroes: Albert Camus, Sigmund Freud, and Simone Weil. Writing in an abstruse, academic style, Rose conducts close readings of Camus' The Plague, Freud's Beyond the Pleasure Principle, and several of Weil's more difficult works, and she considers the effect of Covid-19 restrictions on a possible upswing in domestic violence aimed at women. Rose touches briefly on the Russian invasion of Ukraine and, more frequently, on what she considers to be Boris Johnson's many flaws. She also brings into the mix her personal emotions about—though not her personal experience of—the pandemic. “I struggle, like so many, to bring into some psychic alignment the pain of my inner life and the tragedy unfolding outside my door,” she writes. In respect to Weil, Rose notes, “on the page her concepts slide into and out of each other in a sometimes creative, sometimes tortured amalgam, a blur.” The same could be said of this collection. Rose’s essays raise questions and spark thoughts, but they seldom arrive at cohesive conclusions. The author is best when she slows down to examine all sides of a passage from one of the authors she loves, bringing to light implications that might slip by in a cursory reading or, in the case of Camus, meditation on questions of translation. Rose has never been accused of talking down to her readers, and many may find this volume not worth tackling.

Best for committed fans of Freud, Camus, and Weil.