A good mix of poignancy and sexy fun, with two well-developed protagonists.
A baggage mix-up at LaGuardia Airport leads to a new friendship and more in Middleton’s (London, Can You Wait, 2017, etc.) delightful contemporary romance novel.
Riley Hope, a senior at New York University’s Tisch School of the Arts, has too much on her plate. She is flat broke; her mother, Maggie, is fighting cancer for the third time; and her three-year boyfriend, Josh King, star of the University of North Dakota’s ice hockey team, has just proposed. There are many reasons Riley doesn’t want to accept, but Josh has promised financial help for her mother’s insurmountable medical bills. And Riley will do anything for Maggie. It’s been Maggie and Riley against the world ever since her father took off. We meet her as she is chasing down a disheveled 20-something who has mistakenly taken her suitcase from the baggage carousel. Ben Fagan, seriously hung over, has just returned from Los Angeles, where he auditioned for a new TV series. The befuddled Scottish lad has no idea how to get himself to the cheap Airbnb he has scored on Canal Street in lower Manhattan. Riley, whose tiny studio apartment is in the East Village, leads him through the transportation maze of New York’s subway system, and the seeds of friendship are planted. Readers will need to wait patiently for that friendship to transition to steamy love. But there are plenty of distractions, both humorous (e.g., Erika Kobayashi’s bachelorette party with male dancers) and serious (Riley’s high-functional depression, Ben’s dyslexia, Maggie’s cancer), to keep a twisty, if occasionally far-fetched, plotline moving quickly. The novel is a stand-alone, although Middleton connects it with two previous books via shared plotlines and characters. While the prose is smooth, carried primarily by fast-moving dialogue, musical references and some colloquial lingo (e.g., FOMO) may be lost on some readers (although a glossary is included).
A good mix of poignancy and sexy fun, with two well-developed protagonists.Pub Date: Oct. 28, 2018
ISBN: 978-0-9952117-8-0
Page Count: 498
Publisher: Kirkwall Books
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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