The solution to the Stella puzzle is fairly obvious, while other mysteries—such as a plausible motive for the villain—go...
Lackluster sequel to Mitchard’s Oprah-anointed debut.
In The Deep End of the Ocean (1996), kidnapping victim Ben Cappadora returned as a teenager to his parents Beth and Pat, owners of a popular Chicago Italian eatery. Now 25, Ben has married Eliza, adopted Bolivian daughter of Candy, the detective who helped investigate his disappearance. Ben and Eliza have a six-month-old daughter, Stella. Meanwhile, Ben’s ne’er-do-well older brother Vincent, bankrolled by local godfather Charley Seven, has filmed a documentary about the families of other kidnapped and disappeared children entitled No Time to Wave Goodbye. Beth is conflicted about the movie, not just because of the debt to Charley (who’s really a pussycat), but because it reopens old wounds—for example, the fact that Ben still thinks of himself as “Sam,” the name his kidnapper gave him, and is actually closer to the kidnapper’s husband than to his real father. Shortly after Vincent receives an Oscar for No Time to Wave Goodbye, Stella is snatched from her babysitter. Candy and Beth mobilize their forces, but police have no leads. Then a letter appears, penned in pretentious prose complete with Latin legalese, leading Vincent to recall the straitlaced lawyer in his documentary whose favorite daughter vanished at age 17. The book’s most gripping sequences follow, involving wilderness survival in the Northern California mountains. Ample detail based on Mitchard’s own backcountry treks lends verisimilitude as Ben and Vincent search for Stella aided by a seasoned guide and her trusty kidnapper-sniffing St. Bernard. The proliferation of characters may confuse readers, especially those unfamiliar with the earlier book, and a disproportionately large chunk of the narrative is devoted to exposition.
The solution to the Stella puzzle is fairly obvious, while other mysteries—such as a plausible motive for the villain—go unplumbed.Pub Date: Sept. 22, 2009
ISBN: 978-1-4000-6774-9
Page Count: 208
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2009
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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